Gio De Marco en vivo en el estudio acustico

“En algún lugar” en vivo en el estudio (Acoustic Sessions)

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Gio De Marco – “En algún lugar” (en vivo)

🎧 Interpretando mi canción “En algún lugar” en vivo en el estudio, para mi álbum “Acoustic Sessions”, exclusivo para suscriptores. Descarga el álbum GRATIS!

👋 Queridos amigos y seguidores, en esta oportunidad les cuento que el próximo viernes 12/03 estreno nueva canción, “Mi Estrella”, el tercer sencillo de mi siguiente álbum “Cyan”.

🌟 “Mi Estrella” es un tema muy profundo, triste, su significado es muy personal; a nivel musical es a mi humilde juicio una de las mejores mezclas que hice hasta el momento. El sonido de este tema es medio ochentoso: mucho sintetizador, el sonido del tambor, la línea de bajo… y cuenta con un solo de guitarra espacial inmenso, que espero les guste tanto como a mí. Así que no se olviden, próximo viernes sale a la luz 🙂

🎧 Por otro lado, esta semana estuve grabando un álbum acústico exclusivo para todas las personas que me apoyan y me siguen, a modo de agradecimiento. Tiene versiones acústicas de canciones de “Cyan”, “Metamorfosis”, así como también otras inéditas y de álbumes futuros.

🎻 En este video les muestro un adelanto de cómo suena el álbum, interpretando mi canción “En algún lugar”. Grabado en La Escotilla estudio, operado y mezclado por mi amigo Gerardo “Boya” Boyadjian.
Masterizado por mí. Otra producción de Artistic Energy Records.

🔽 Pueden descargarlo gratis haciendo click en el enlace arriba de todo en la descripción.

✋ Quiero saber qué te pareció. No te vayas sin dejarme un comentario!
Como siempre, GRACIAS por ver y escuchar 🙂

🎼 Musicalmente se puede ver a través de esta canción influencias del rock latinoamericano legendarias, como el flaco Luis Alberto Spinetta, Gustavo Cerati o Charly García (constantes en mi creación) y también del rock inglés (como Pink Floyd, Queen, Zeppelin).

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Gio De Marco En Algun Lugar Rock en español

Gio De Marco – “En algún lugar” Music Video (Rock en español 2021)

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Gio De Marco – “En algún lugar” Music Video – Rock en español 2021

🎧 Video musical para la canción “En algún lugar”, el segundo sencillo de mi próximo álbum “Cyan”. Nueva cancion de Rock en español 2021!

♫ “En algún lugar” es una canción alegre, cuya letra puede quedar abierta a la interpretación del oyente, una característica recurrente en mis obras. A nivel sonido tiene una atmósfera bastante “feliz” y su melodía la transforma en una de mis favoritas personales, cuenta con un solo de guitarra muuuy subidor y un final optimista, perseverante y enérgico.

🗣 Hecho 100% a pulmón por Gio De Marco (composición y grabación de todos los instrumentos y voces, mezcla y producción artística). Masterizado por Gerardo Boyadjian en La Escotilla Estudio. Arte de tapa ilustrada por Sonia Sosa.

🎼 Musicalmente se puede ver a través de esta canción influencias del rock latinoamericano legendarias, como el flaco Luis Alberto Spinetta, Gustavo Cerati o Charly García (constantes en mi creación) y también del rock inglés (como Pink Floyd, Queen, Zeppelin).

💪 El rock latinoamericano histórico sigue influenciando los lanzamientos del rock latino actual. Paso a paso, de a poquito sigo contribuyendo mi humilde aporte al rock argentino y al nuevo rock en español 2021.

Como siempre, aprovecho para contarles que lleva un graaan trabajo componer canciones, grabar todos los instrumentos, voces, editar, mezclar la canción, producir el tema… y todo lo hago desde el cuore ❤️ por amor al arte. Como me dijeron por ahí, “La nueva esperanza del rock en español” xD

Ojalá sea de su agrado y espero puedan ayudarme con alguna de las siguientes acciones, son gratis y me ayudaría un montón! Gracias TOTALES diría Cerati 😆

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Gio De Marco Metamorfosis Music Video

Gio De Marco – “Metamorfosis” Music Video – Progressive/Psychedelic Rock

Gio De Marco – “Metamorfosis” Music Video – Progressive/Psychedelic Rock

Music video for the song “Metamorfosis” by Gio De Marco. From the album “Metamorfosis” (2018).

CAREFUL: Do not watch this video if you suffer from photosensitivity or epileptic seizures.

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⌛️ It’s been almost two years since the official release of rock concept album “Metamorfosis” (Feb 8, 2019) and the idea of a music video for this song was always there, in fact there was a video similar to this one that was lost somewhere, so it had to be recreated.

🤘 “Metamorfosis” is an instrumental prog-rock/alternative rock song, the first of the album, and the different sections are depicted here with corresponding imagery to match. I must say that this song live will blow your wig, so get ready! It’ll happen soon!

If you like this song, check out the following documentary series about the creation of the album:

Music Production Documentary: The Making of Metamorfosis Rock Concept Album (Part 1)

Music Production Documentary: The Making of Metamorfosis Rock Concept Album by Gio De Marco (Part 2)

Content used in the video is not of my property and credits go to their respective creators as listed below (if you are the creator of images used in the video please get in touch to add your name to the credits). No copyright infringement intented, simply adding visuals to match the song’s vibe and idea. No monetization intended either.

Credits

  • BBC – Documentary Footage
  • Smarter Everyday – Documentary Footage
  • DreamWorks / Paramount – Scenes from the movie “Saving Private Ryan” (1998)
  • BBC/HBO – Scenes from the series “Band Of Brothers” (2001)
  • Warner Bros – Scenes from the movie “Dodge City” (1939)
  • Baker St/MWM Studios/Yank Film Finance – Scenes from the movie “Hooligans” (2005)

If you are the creator of some of the images used in this video, please get in touch to add your name in the credits.

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Mixing Synths and Keyboards

Mixing Synths Using Overdrive & Phaser

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Mixing Synths & Keyboards Tips

Well, here we are editing these keyboards / synth tracks…

The Waves GTR Stomp pack is a great tool for texturing sounds. Originally intended for guitars, but you can get creative and use it for other purposes. Here I am using it for mixing synth tracks, but can also help a lot for mixing vocal tracks.

Mixing Synths with Phaser

It seems that it’s definitely a phaser sound… it takes everything out of it, changes it totally; it’s a very deep effect.
I want it, but I also want it to keep the properties of the original sound, so maybe I can add… to make it a little more “bright”, a little bit of overdrive before the effect… but “nothing”.

Using Overdrive for Mixing Synth Tracks

Adding overdrive / distortion often brings the sound to the front.

So I try adding a lil bit of overdrive to mysynth track to make it pop up. I place it BEFORE the phaser, so that the overdriven signal gets phased. So then I just try to adjust the knobs until I get close to the sound that is in my head.

So what this does is that in that part of the waveform, when the phaser is completing the full bar, and the beat starts again, you notice the overdrive, like you can tell the waveform is doing kinda like this. It’s as if… like it enhances the “sustain” of the effect…

Well now it’s very loud, so I have to adjust. ALWAYS make sure that your signal is not “clipping”. So I slightly decrease the output level, and now I mix my synth track using the track fader to fit it within the mix.

At first, I kind of wanted those keyboardsto have a little more presence… they were a little “off”, now I’m a little
more satisfied with their sound. These are all the synth layers together.

Listen to the final version of the song “Cyan” and focus on the synth sounds:

Compression for Mixing Synths

This one could also use some compression. Compressors are very useful for texturing sounds by altering their dynamics.
When compressing, simply use your ears to get the sound you need for the mix. The goal is to use just the right
amount of compression to make it work
. Sometimes you need a lot… Sometimes you only need 1 or 2 dB of gain reduction.

Check the new synth sound (with
overdrive & phaser) vs. the original sound that was this.

Look at this synth track, is kinda crazy; I think it has a lot of feedback, but… it adds “mobility” the synth track;
and fills the stereo field in a much more effective way. The sound is more dynamic, the other one was very “flat” I don’t want the effect to be EXTREME.

Please join my fan list so I can tell you about my progress and send you new material, and feel that what I do is valuable.

I created Artistic Energy Records to add value to the artistic community, and add my 2 cents with what I learn along the way.

Thank you very much and see you in the next video!

Making Of Metamorfosis Music Production Documentary by Gio De Marco

The Making Of “Metamorfosis” Documentary (Part 2)

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What does “Metamorfosis” sound like? Influences?

Since I started there is only one rule for me: It’s music. The genre DOESN’T MATTER. There are no “genre” limitations.
Although it could be said that it is mainly focused on rock and its derivatives (progressive rock, alternative rock, hard rock, punk rock, grunge) but since I like all kinds of music, it also has some of jazz, pop, blues, soul, funk, and of course, classical music.

This will become clearer over time as I release more music. But instead of me telling you what the album sounds like, better listen to the opinions of some listeners…

Yael Rosenzweig:

When I heard “Metamorphosis” for the first time, what I felt is… a conjunction of genres that transported me through a tunnel, a kind of magical continuity of songs, that were transforming me in some way. I felt that there was a mix between bands like Pink Floyd, The Doors, and a little more current rock… I feel like it took me to very dreamlike times of music, and the truth is that it is an album that left me thinking, I feel like it left me… It’s certainly a record that does not pass without leaving a mark, a change in you… I think that is exactly what metamorphosis is about, right?

Sebastián Fernández:

For me, the name of the album describes quite well what one feels when listening to it; because it is pure change. From a power of distortion to
arrangements and tones that remind you of music from the 80s, the 90s, even the 2000s and it has its “traditional song” parts; its “spoken” parts, screams, and all fitted and set in motion in a nice and precise way.

And in addition to being a journey through time, it is also a journey through emotions. It has uneasiness, sadness, darkness… but it also has lights of hope and tenderness. You may not realize it but as the songs go by they leave you those strange sensations that are great.

Brenda Lafalle:

When I heard “Metamorphosis” for the first time, It did not reach me. I had to listen to it again… It has a lot of atmospheres, different kinds of atmospheres and textures. It takes you through a lot of places of the mind, of memories, feelings… It’s very rich in many aspects.

It makes you travel in time, as it makes you rethink the present, It’s… a work of art. I think that’s the word that best defines the album. A work of art.

Macarena Valverde:

I think that Metamorphosis is an album with a professional production, with a very pink-floydian sound at times, especially in the guitars, and also in the concept that it is an album I think certainly designed to listen to it in its entirety as a whole work, with a clear connection between songs.

Germán Gomez:

Very instrumental music, sounds kinda like 80s music to me, the presence of the instruments seems to me to be very “visual” and I really like the way that all the songs are connected. Pretty amazing guitar, personally I am a person who likes to sit and draw, and it seems to me that these songs go well with the vibe as they “create atmosphere”, they take you to another space.

Pablo Miño:

I think Metamorphosis has a lot of rock, but not only understood from its sound or the music, but also from the lyrical content, the lyrics that Gio proposes in the album at least personally leaves one reflective, and I don’t want to spoil anyone but that’s the way it is. And that’s very interesting and cool.

Sensations of the process?

It really seems crazy that with a laptop, headphones, instruments, a 2-channel interface and without a studio it could be done, although I felt it that way, and it was true. I even remember thinking that it shouldn’t be so difficult to record all the instruments. Maybe I could even have the songs ready one a day.

You then come across the truth that just because you composed the music and the melody of the voice, it does not mean that you can execute it perfectly from beginning to end. Especially in the type of music that I wanted to make, that are not simple chords, but have multiple parts, solos, atmospheres, textures.

What is the meaning behind the songs on the album?

01. Metamorphosis

Metamorphosis is the first song, an instrumental piece although the different sections -far from being random- have meanings. It took me about a year to record all the parts of this piece, and a few hundred hours to mix it. Great learning of processes and techniques during this tune. Proud with the result, it really is a great song that takes you through different atmospheres, just like the whole album. I’m looking forward to playing this song live, the final version sounds great, it has ENDLESS layers of instruments, you can listen to it 100 times that you will continue to find things and that represents a bit the style of the whole Metamorphosis album.

After all, this is “my own style”, which I think will be clearly reflected in my next albums.

02. Broken dreams (there they go)

“Broken Dreams” tries to capture that feeling of frustration by investing endless amounts of effort and time in things that sometimes are not worth it and take us away from our goal. It is a sad song without a doubt. My intention was for the listener to feel that, and I think it manages to generate those feelings.

The storm part represents that whole introspective period during the album’s creation. I remember going through the whole story of figuring out which amp-sim to use, and experimenting with different techniques to get good guitar sounds; given the fact that I couldn’t use and mike my amplifier in the apartment because of volume, there was also a lot of external noise.

In this song there are two types of guitar takes, in one chorus they are amp-sims, and in another they are real reamps.

03. More

“More” is about never settling and always trying to keep growing, although I am satisfied with the fact that it remains
open to the listener’s interpretation
. I like the moments of this song. It starts with an acoustic guitar arpeggio and it takes you from there, instruments add up progressively, a guitar solo…

Structurally, it is very different from the typical radio song, although for me it is the most “radio” song on the album. It has several verses, a bridge and a double final chorus, double tempo and beat signature change, although it is in G, I love how the ending resolves in A major, connecting with the next song.

04. Symphony in Colors

“Symphony in Colors” is a kind of metaphor about feelings and introspection. It is a song that I wrote in 2007 originally in English “Forgive me” and performed with one of my previous bands, Have Fun. It was converted to Spanish with a different meaning. It is a dynamic song, the choruses are louder and more powerful than the verses. I particularly like the bass line of this song, and how it works in conjunction with the guitar arpeggio.

At the end the drum beat fades with Cocó’s meows… our little kitten while we lived in Buenos Aires, with my girlfriend before moving to Australia. It was my way of immortalizing her, in the future I can listen to her wherever I am.

05. Crimson Sky

“Crimson Sky” is a romantic parody. Along with the previous one, it was one of the first songs I wrote, back in 2006. Originally a song that I wrote
in English “So Lost” in C, but finally reconverted to Spanish and its initial meaning changed.

It has the peculiarity that it is like two songs in one. First part is like acoustic, happy and soft; while later it explodes with distorted electric guitars, very strong drums and the voice at a higher level. The two parts of the song are very different.

I remember working a lot on that transition and on the high-gain tone of the guitars, sometimes it is difficult to get a good distorted guitar tone, because there is also squeaky noise in the rich area of ​​electric guitar (1k to 4k).

I think they fit quite well, along with the kick drum and bass each hit sounds really full. In the end the song fades with a spatial, wet guitar solo, that sounds really wide, ending up violently in E minor, hooking up with the next song…

06. Crossroads

“Crossroads” is my favorite song of the album, as it clearly captures my thoughts before and during the creation of the album. It aims to give a message of opening our eyes, not to waste our life but to honor it using that precious time to try to be who we REALLY want to be. Create our own destiny with our actions, do what we love, and go after our dreams.

In musical terms I think it is a very rich piece. Its peculiarity is that all the chords are minor. It sounds like spatial, increscendo. The voice at first seems distorted, it may even be difficult to catch the words, but it is on purpose because it tries to reflect a thought: those things that sometimes we can’t understand clearly.

Meanwhile the rhythm and what is executed by the instruments is changing and it takes you, until it explodes into a giant guitar solo, which then leads to the “second part” of the song where the voice is clearly heard. The sound gets louder and more aggressive, the last 2 minutes are
total musical madness. Uneven bars, effects, speed and intensity vary, guitars, keyboards, bass and drums work together to reach an epic finale which resolves in G minor.

A perfect closing for the album. I look forward to playing this song live, SUPER loud, an atomic bomb of energy and madness… RIOT!

Metamorfosis, my debut album – Conclusion

Thanks for watching the behind the scenes of “Metamorphosis” in this humble documentary. I hope you liked it, It’s been a lot of work! If you did not listen to it, you can do it here.

This album, this documentary, my next album “Cyan”, I create them 100% on my own. No one pays me, funds me nor helps me create these things. And they are NOT FREE. I finance myself.

That is why I thank you FROM MY HEART for your interest, and I ask you to help me by sharing this with a friend, word of mouth is very important to me.

Please join my fan list so I can tell you about my progress and send you new material, and feel that what I do is valuable.

I created Artistic Energy Records to add value to the artistic community, and add my 2 cents with what I learn along the way.

Thank you very much and see you in the next video!

The Making of Metamorfosis Documentary By Gio De Marco

The Making Of “Metamorfosis” Documentary (Part 1)

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“An artist tries to capture in the real world something that does not exist, something that lives in his imagination, a signal that he receives from beyond. Nothing simple.”

Creating, in itself, is not easy.

It requires energy, preparation, work, effort, perseverance… creating music, in particular, also requires creativity, imagination, talent…

Creating a conceptual music album is an even greater challenge… demanding dedication, attention to detail, perfectionism, focus…

It requires the union of all the musicians in the group, debate, consensus… to compose, record precisely each instrument, each arrangement…

edit all the parts, assemble them, mix them to build each song and bring it to life… and have all of them share the concept of the album… a long and arduous process, really exhausting…

Imagine if you had to do it alone …

If what several musicians in a band, the recording and mixing studio staff all depended on the same person… It would be practically impossible…

But… what if that alternative were the only one there … however difficult it may be … could it become feasible?

That is exactly what Metamorphosis is. After approximately three long years of work and dedication, Metamorphosis is the evidence that nothing is impossible. Today it exists in the real world and is the kickoff in a dream chase.

What is this project about? What are its qualities?

Gio De Marco:
“… Metamorphosis was born as a personal challenge. I felt the need to create a material to test the knowledge that I had been acquiring, and also to be able to show my musical style. With very few resources, without the ideal space, equipment or experience to do it, I set myself the goal of making a complete concept album, like the vinyl of the 70s. I wanted my album to evoke that experience from before, where you put the vinyl on the tray and listened to the entire album. I am a very perfectionist and detail-oriented, and even with the few tools available to me, I thought I could make a semi-professional quality record. ”

What’s the concept behind the album?

Gio De Marco:
“… when I decided to start the album, I was going through a lot of changes: personal, work, sentimental, musical, artistic … etc. That is why the album was called “Metamorphosis”, a conceptual work, with change and constant transformation being the concept of it. I think I managed to capture it on the album, the rhythms change, the sounds as well, no two songs are the same but they are mutating, some brighter and happier, others darker and deeper, there are long instrumental sections, as a reward for those who choose listen, and has the peculiarity of repeating some melodies throughout the album.

For the cover I wanted that transformation, mutation, evolution to be reflected in a hyper-realistic illustration. For that, I published an ad on a illustrators’ marketplace, and there I discovered one of my favorite illustrators, Darío Mekler. Seeing his work, I knew almost immediately that he was the one, I became a huge fan. I think the cover was great, without a doubt I would work with Darío again, I celebrate it and I recommend it infinitely.”

How did the idea of creating the album come about?

Gio De Marco:
“… In 2015, I started to build my humble” home studio. ” I started by recording a test song at home, to see what quality I could achieve, and also to see how many of the production ideas that were spinning in my mind I could manage to translate into the final audio, which are very different things. The result emboldened me to try something more ambitious, and that’s where the idea for a concept album was born. I plan to share everything I learned so that others can create with less limitations, so I invite you to subscribe to the new Artistic Energy Records video channel. ”

Why On Your Own?

Gio De Marco:
“… my original goal is to form a group of high caliber with other experienced musicians, focused on obtaining the best sounds and textures. This is my project with Indica Stout. Where there is freedom of instrumental and tonal expression, create without limits, innovate . Having a group would be ideal. But … it is difficult to find those musicians. They have to be responsible, have chemistry with one, similar interests artistically speaking, play their instrument correctly, discipline, well … it is not as easy as it seems to find matching pairs in the goal. In this context I decided to do it myself. Also to put myself to the test, knowing that if I achieved it, I would gain a lot of experience.

It was undoubtedly an uncomfortable journey, one of constant suffering, evolution and learning. When I told people that I was going to do this, no one took any dimension of what I was saying. Some told me that I was crazy, others that it was not possible … of course I felt that in the middle of the process. Thousands of times, I felt that I would never finish it, that no one would care, that it was not going to be good, and so many other things. But today, with the album coming true, it’s… satisfying.”

Stay tuned for Part 2, Coming Up Next Week!

Bye 2020

Bye 2020: My Australia Trip Highlights & Year Review

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FINALLY, this year 2020 is coming to an end.
Probably one of the worst years for most people, due to the COVID-19 pandemic and its effect on the world and the health of some people, certainly overshadowing the timing of the end of the year holidays and making us wonder “what are we celebrating?” And I think what we want to celebrate is that this frustrated, unusual and difficult year that we had to go through is ending.

Personally, the year 2020 for me was even more complicated. I’m going to tell you a little more!

2019-2020 (Australia)

I received the 2020 in Sydney. I was in Australia since July 2019. The situation in Argentina had me rotten for a long time. I spent the winter and spring 2019 working on farms in eastern Australia, near Coffs Harbor, NSW.

I worked as a blueberry picker, the pay was not very good at first, until you start getting the hang of it, and find yourself a better employer xD Actually, the farm is hard because you have to get up VERY early, depending on the fruit it starts between 4 and 5 AM, the days are very hot there, and a lot of physical effort is made, not to mention that you have to be quick with your hands working since you are often paid by “piece-rate agreement” instead of hourly on most farms.

At the end of 2019 we headed south with my girlfriend, to Sydney, one of the most important cities in Australia, with the aim of finding other types of jobs as a waiter, bartender, barista or something similar and live in the city. My goal was to save money and then start performing live in bars and making some money from music.

We had never been to Sydney but everyone told us to go, that there was a lot of movement and work, and we would definitely find a job quickly. They also warned us that it was extremely expensive, especially compared to rental prices in remote areas of Australia (roughly double).

Summer at Maroubra Beach (Sydney)

We took the night train from Coffs Harbor to Sydney, a journey of about 7 hours.

We rented a room in a share house in Maroubra Beach, one block away from the ocean, with an ocean view. The location was perfect. The house was not what it appeared in the ad, and we did not have the best experience with the hostess, nor did she with us.

This added to the fact that it was VERY EXPENSIVE to pay that rent per week, without having an income. We started eating the money we made so hard on the farm.

We arrived in Sydney on December 8, 2019, and we started looking for work like crazy, but nobody had warned us that arriving at this time would not be ideal: in December, the year comes to an end and in Australia everything stops, in Christmas Eve and New Year’s Eve and during January, the “work” is on pause, so that businesses do not have open searches for job positions, they are all covered. You really start to lose your mind when you see your finances vanish due to such expensive rents without getting an income. Every day I walked different areas of the Eastern Suburbs handing my resume, looking for a job in a cafe, restaurant, or whatever. But it was difficult. I did everything I could and nothing came out. So the rest of the day I tried to enjoy being in Sydney, a block away from the beach, and relax after several months of working on the farms.

I bought a surfboard and spent the middle of December looking for work and applying to every online job that exists, and learning to surf the waves of Maroubra Beach, a really beautiful beach.

Getting a job in Sydney

By mid-January I managed to get a job thanks to a piece of information that a friend I made on the farm, my great friend Germán.
It was a SHUTTLE HOST job at the Sydney cruise terminal, I had to receive cruise passengers and guide them on their excursions. It was a long shift job, 8-12 hours a day, but they paid by the hour, and I didn’t have any income so obviously I took it. At the same time, I kept applying for sales jobs and whatever. I managed to attend 3 interviews for working as a salesperson, from which I was selected to 2 of them. Suddenly I had three jobs, the port job and two more sales jobs. One selling solar energy (solar panels) door-to-door. Yes, we were going to knock on people and ask if they wanted to install solar panels. Tough! But when you don’t have the dough, you can’t act as a playboy. The other job was as a salesman inside a shopping mall, in a small stall, selling subscriptions for Hello Fresh.

In February, we went from Maroubra’s house to a shared house with 4 other Argentines in Bondi. We needed to change the air. Almost a month after successfully doing the work at the port, another backpacker who worked with the company informed me that there was a position in the office, if I was interested, obviously I said YES! and my friend Marta recommended me to process receipts and approve payments, an embarrassing job! but much better than standing only 12 hours in the sun with an umbrella. Thanks MARTA!

Moving to Bondi and the nightmare

In Bondi’s house, everything seemed to be improving. We both found work, the guys from the house made us feel home, my girlfriend was working as a Bartender, and I was about to get into the office. Everything was going well until… on a day off, we decided to go for a walk along the coast of Bondi Beach, in the area of ​​Ben Buckler, a cliff overlooking the sea. We always spent as much time as possible close to nature, walking, discovering places, and enjoying the outdoors. Australia really has amazing places. Unfortunately that day we had no good luck and on that walk my girlfriend slipped on a stone and her ankle broke … we both fell to the ground and instantly I knew that something was not right. She started screaming in pain and her foot was very twisted, in an area where there were no people around, and they were all irregular stones. I tried to sit her down on a rock, I started screaming for help from people around us, but they were too far away, no one was close to us. Her pain was so strong that she almost fainted, we had almost no water left in our the bottle, and it was evident that the accident was something serious. One of the most stressful situations that we went through… I had to adjust the foot that was twisted, to avoid more pain, I don’t know how I did it but I just took a deep breath and tried to align the foot with respect to the tibia.

Since then everything turned to hell, what was our day-off of relax at 3 o’clock in the afternoon we ended up spending in an ambulance, arriving at the hospital, getting films and x-rays, to determine his triple ankle fracture (trimalleolar fracture) one of the worse injuries as all 3 bones were damaged. She was left in a wheelchair and everything turned uphill from that moment. THANK GOD we had travel insurance (ASSIST CARD saved us) and paid the transportation costs (just the ambulance to the hospital was about 500 Australian dollars), supplies, surgery costs (yes she had to get surgery ABROAD), and more.

Despite this misfortune, luckily I got the office job, and Soni could no longer work in the restaurant because she could not walk. Suddenly my office job was our only livelihood, and I had to take care of her because she couldn’t even bathe alone. March 2020 was striking hard, and as if that were not enough, that is where the issue of coronavirus began in earnest in the world and in Australia as well.

Luckily the boys in the house, Emma, ​​Leti, Flor, Vale, Lu, Luri, were amazing and helped us with everything they could 🙂 but it was difficult to endure the day to day working and taking care of everything, cooking, buying injections in the pharmacy that she had to apply to control blood clotting, and see my girlfriend fractured, in another country, unable to move and having to go to the hospital for surgery. This month I had my first panic attack, I was going through a lot of tension and uncertainty, and to top it off, it felt like the pandemic was advancing at full speed, there was talk of border closures and repatriation flights … it was very uphill from there and shortly after it was confirmed that at the end of March the airports would close, I worked in the office with cruise ships (tourist services) that would be affected by a pandemic, and I had already been informed that by May my temporary contract would not be renewed given the situation.

End of our Journey (Flight back to ARG)

Shortly after we got a flight to Buenos Aires, via Santiago. We were with all the bags, backpack, I had my acoustic guitar, and she was on a wheelchair with a broken foot, another shitty moment!

We took the flight on March 23 from Sydney to Santiago de Chile, and when we got there we found out that several days ago there had been MISCELLANEOUS people at the SCL airport, waiting for connecting flights that were not being executed due to administrative and governmental situations of each airport, and the airline reception was a riot. A total mess, no distancing protocol whatsoever in the middle of a “pandemic” situation, all of them complaining because they are located at once on their canceled flights. With Soni in a wheelchair and all our belongings, after a few hours, we were able to be relocated to a flight that would leave 36 hours later. We had to sleep in the airport, after the 14 hour flight from Sydney, and with Soni’s broken leg. A lot of stress… really shitty moments that leave a mark on you…

Fortunately after all that QUILOMBO we arrived in Buenos Aires on March 24, 2020, our trip to Australia was over and we are still waiting for the borders to open to resume our migration effort abroad. Once I decide to travel, a pandemic breaks out and my girlfriend breaks her ankle, now that’s some accuracy!

Back in Argentina (March 2020)

Since then, I reunited with my family and I was able to relax a little. Given the situation of preventive isolation, it was hard to return and not be able to meet with friends or relatives that I had not seen since I left the country. It was ugly that my trip to Australia was kind of forgotten and went unnoticed.

I progressively gave back priority to my musical project, which had been on hiatus during 2019.

In April I resumed work on my next album “Cyan”, which already had some demos and electric guitars recorded, and continued to advance with the creation of these songs. I spent all of May, June and July working primarily on these issues, and also shaping the idea and content for my YouTube channel, to bring more visibility to my artistic endeavors.

Getting COVID-19

In August, I don’t know where or how but I got coronavirus. Probably when I went to the market or to buy fruits, I am not sure; but I started to feel bad and after two days of sustained fever I decided to do that swab and I had to isolate myself by government measures in a hotel for 10 days. The first 2 days were horrible, a tremendous headache, and a significant feeling of fatigue. I had no trouble breathing, no loss of taste or smell, but the headache was the strongest I ever felt. Fortunately, on the fourth day I started to feel good, until I was able to go home.

After this pause forced by my health I continued with the production of my next album and the goal of developing my YouTube channel.

I finished composing and producing the songs that will be the singles on the album, recording guitars, basses and vocals. I managed to move almost twice as fast with creating the themes for Metamorphosis.

Indica Stout (November 2020)

In November I decided to try to put together a band to present the new material “Cyan”, since the Australian border does not seem to open until March or July 2021, it would give me enough time to form a group and rehearse these songs to maximize promotion of the new album with live performances and streaming shows. I contacted musicians I knew to see if they were interested in the project and if they were available. I also contacted studios and rehearsal rooms to find a place where we could prepare.

Shortly after I consolidated the base of the band, with Christian on bass and Paul on drums, two musicians I already knew, and who were interested in integrating the project to give shape to this version of Indica Stout.

In December we started rehearsing the singles for the next album “Cyan”, and we are preparing songs from the previous album “Metamorphosis”, and also other new songs.

Metamorphosis is an album that revolves mainly around the electric guitar, while Cyan orbits more on the piano and keyboards. It is something different but it maintains the essence. Those who already listened to the singles were delighted, and if you haven’t heard them, you can still do it for free at my music section on my website.

Musical evolution & piano progress

Musically this year will be marked as the year where I was able to prepare my second solo album, but mainly in which I started to make considerable progress with the piano. I’ve been playing the piano for about 5 years, but this year I really spent many hours improving my piano and keyboard skills, and little by little it is paying off. Before I always felt it was kinda mandatory to incorporate a keyboard player in the band, however nowadays I still think that it would be great to have a keyboardist, but that I can also occupy that role myself, and thus continue to develop. I’m going to try to get the CHARLY GARCIA out of myself xD

Undoubtedly during this bloody pandemic, isolation, distancing and all that sh#t in April, I made it my goal that this entire period be productive, although I also spent a lot of it playing Counter-Strike xD
I invested a lot of time in my songs, practicing with the piano, creating the contents of the YouTube channel, etc. And now at the end of 2020, to see all these things done after pushing and all the learning involved, is quite satisfying; seeing that all effort is now visible in my YouTube channel, it will be seen in my new songs, in my new band, and especially in the future when I go out into the world again, with a second album under my arm and more experience.

Wrapping Up…

Certainly 2020 was a difficult year for everyone and for me too. Probably one of the hardest of my life. But this also came with a lot of learning, and I continue to reassure what I want to do and the direction I want to take my life.

Sometimes we don’t know why things happen, but over time we can see that what happened happened for a reason, and it will be up to us to learn to understand the outcome of things.

And how was your 2020? Did you have coronavirus? Leave me a comment and tell me. I sincerely hope that 2021 is better for everyone. Cheers!

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10-rock-records-90s-2000s-marked-generation-gio-de-marco

10 Records That Marked My Teenage Years (90s-2000s)

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Probably many of the following albums are unknown to some people, but for me they had a very strong impact while I was going through my adolescence and my early evolution as a musician, also fueled by the fact that I really liked skateboarding and this type of music was often played along. I’ve put them in chronological order.

1. Nirvana – Nevermind (1991)

Nirvana Nevermind 1991
Nirvana’s “Nevermind” (1991)

As a millennial, it’s almost impossible not to mention “Nevermind” as an influence. Hits like “Lithium”, “Come As You Are” or “Smells Like Teen Spirit” marked not only me but a whole generation. Produced by Butch Vig, the fury and power of Nevermind in songs like “Breed”, “In Bloom” or “Stay Away” would accompany me in my head for the rest of my life, as well as the use of dissonances, feedback and various noises.

After discovering Nirvana with this album I was able to discover “Bleach” (1989) which I think I like even more than Nevermind as it better represents the essence of Kurt (for me).

2. NOFX – Punk in Drublic (1994)

NOFX Punk In Drublic 1994
NoFX’s “Punk In Drublic” (1994)

At only 14 years old I was embarking on an endless path of discovery through the world of skate punk, and it could only intensify after meeting the makers of the famous Fat Wreck Chords label, responsible for so many other bands such as Rancid, NUFAN, Ataris, Strung Out, Lagwagon, etc.

I got to know NOFX through their immortal anthem, “Linoleum”, the first song on the iconic Punk In Drublic album. Since then for their sound and also creativity in the lyrics -even if some are banal and humorous- they’ve always questioned the system and politicians with a punk attitude, taking the mask off many daily issues.

I became a fan of the works of Fat Mike, previous ( White Trash… -1992-, Ribbed 1991) as well as later, “So Long and Thanks for all the Shoes (1997), Pump Up The Valuum (2000), and I must make a special mention of “The Decline (1999)” an EP composed only one 18 minute long song, which would undoubtedly become my favorite from NOFX to date, and which I was privileged to witness live.

3. Green Day – Dookie (1994)

Green Day Dookie 1994
Green Day’s “Dookie” (1994)

Another album that marked a whole generation, I remember watching the music video “Basket Case” on MTV and getting hooked on that fast rock sound, different from other types of music. Produced by Rob Cavallo and mixed by Jerry Finn, Green Day would be enshrined in the big leagues, although it would also be seen as “sold-out” as it would happen to so many “punk” artists of the decade. The album would become a global hit, with songs like “She”, “When I Come Around”, “Sassafras Roots” and “Welcome To Paradise”.

Green Day would release more albums in the future that would inspire me and thousands of young people such as Insomniac (1995) and Nimrod (1997).

4. Sublime – Sublime (1996)

Sublime Sublime 1996
Sublime’s “Sublime” (1996)

I think this was the first album with punk origins that I heard. It was around 1998, I was about 9 years old when Anna, a cousin of my father who lived in Connecticut, USA, came to visit Argentina and gave me this album. Little did I understand the lyrics, but musically I was instantly drawn to this work that would become a peak album of the 90s because of its sad story related to singer Bradley Nowell, who was found dead months before the album’s release from an overdose of heroin.

Nonetheless the record that mixes punk, reggae, ska, and hip-hop would be highly successful with songs like “Santeria” and “What I Got”. This record strongly drove my desire to play drums, I remember LOVING the sound of the kit, especially that drum, kick and cymbals.

5. Lagwagon – Let’s Talk About Feelings (1998)

Lagwagon, Lets Talk About Feelings 1998
Lagwagon’s “Let’s Talk About Feelings” (1998)

Strongly inspired by one of the games of the moment, Tony Hawk’s Pro Skater 2 for PlayStation, Lagwagon instantly resonated with me with song “May 16” for its sound, the combination of guitars, fast beats and the voice of Joey Cape. Originally from California, their pairing with skateboarding was undeniable. I began to see in videos that they played in festivals like the famous Warped Tour, among others, and that had other coconut busting albums like Trashed (1994), Hoss (1995) or Double Plaidinum (1997).

Lagwagon would become one of my most important influences since then, later releasing more excellent albums, such as Blaze (2003) and Resolve (2005).

6. MXPX – The Ever Passing Moment (2000)

Mxpx's The Ever Passing Moment (2000)
MxPx’s “The Ever Passing Moment” (2000)

With a punk rock essence but at the same time more organized and not as wild as previous albums, The Ever Passing Moment would change the way I compose and conceive my own songs. Produced by Jerry Finn, the dynamics of the songs and the conjunction of textures between Mike Herrera’s bass and Tom’s guitar added to Yuri’s fast rhythms would make this album one of my favorites, along with the previous Life In General (1995) and Slowly Going The Way of the Buffalo (1998).

Later they would publish albums that would continue to define pop-punk, such as “Let’s Rock (2002)”, “Before Everything and After (2003)”, and “Panic (2005)”.

7. Millencolin – Pennybridge Pioneers (2000)

Millencolin - Pennybridge Pioneers (2000)
Millencolin’s “Pennybridge Pioneers” (2000)

Much like Lagwagon, Millencolin first came to my ears through the timeless game THPS2, with their song “No Cigar” he was an instant connection between skateboarding and music. Produced by Bad Religion guitarist “Mr. Brett ”, the album would move a bit from the ska-punk style reflected in previous albums like “Life On A Plate” (1995) and “For Monkeys (1997)” -two great albums-, towards a more alternative punk-rock sound. With songs like “Penguins and Polarbears”, “Fox”, “Right About Now” and my beloved “Duckpond”, Millencolin would establish itself as one of the most important non-American bands of the genre, and one of the biggest influences in my adolescence.

I was lucky enough to see them live twice. Later they would continue releasing memorable albums, such as “Home from home” (2002) and “Machine 15” (2008).

8. Blink 182 – Take Off Your Pants and Jacket (2001)

Blink 182 - Take Off Your Pants and Jacket (2001)
blink-182’s “Take Off Your Pants and Jacket” (2001)

Probably the greatest exponent of the wave known as “pop-punk”, Blink-182 was a success since their album Dude Ranch (1997), but it achieved worldwide awareness after releasing through MCA Records their third album “Enema Of The State” in 1999, an album that would have a profound impact on teenage generations, although they would be widely criticized for being clowns and for being classified as a “punk band” when their sound was no longer “punk”.

Produced by Jerry Finn, TOYPAJ would become my favorite album of the moment and a great influence on me. Travis Barker would make a big improvement over previous Scott Raynor records, and Mark and Tom’s penis and boyhood jokes resonated with me, I was 12 yo at that time. The style of the album stuck with me, with songs like “Give Me One Good Reason”, “Reckless Abandon” and “Shut Up”, which seemed somewhat more elaborate than songs from previous albums, or at least better produced. At this point I was already developing an interest in artistic production, I just didn’t know that this was a possible profession.

Although today I am older and I no longer listen to blink, it is undeniable to admit that I was strongly impacted by being a contemporary adolescent in their most successful years, and would continue to mark me perhaps more deeply with its subsequent release Blink-182 (2003), but for this list I picked only one per artist

9. Audioslave – Audioslave (2002)

Audioslave 2002
“Audioslave” (2002)

Perhaps one of the most influential groups in my post-teen musical tastes. I was 13 when Rage Against The Machine “transformed” into Audioslave, with Chris Cornell at the helm, mixing rotten hard rock sounds with alternative and industrial rock. RATM had always struck me as musically engaging but overly enraged, maybe even devilish, while Audioslave kept the aggressiveness but the screams were more from classic heavy rock, at least for me.

This album simply blew my mind, with songs like “Cochise”, “Show Me How To Live”, “Gasoline” and “Shadow On The Sun”, without naming the promotional track “Like A Stone”. Shortly after knowing this album I started taking drum lessons.

10. Yellowcard – Ocean Avenue (2003)

Yellowcard - Ocean Avenue 2003
Yellowcard’s “Ocean Avenue” (2003)

Pop-punk was reaching its peak in the late 90s, thanks to the mainstream success of groups like The Offspring, Green Day, and Blink-182. After making its way onto the scene with the album One For The Kids (2001) and The Underdog EP (2002), “Ocean Avenue” was released in 2003 and Yellowcard would rank as one of the most representative bands of melodic punk-pop ever since, by including a violin, two guitars, bass and drums in their 5-member line-up.
Produced by Neal Avron (New Found Glory, SR-71), the album would be a hit, with songs like “Way Away”, “Empty Apartment”, “Only One” and “Breathing”, combining fast 90s rhythms with sections more melodic and pop elements.

I was lucky enough to see Yellowcard twice, on their Lights And Sounds Tour (2006) and Yellowcard Tour 2011. Their drummer Longineu Parsons was a strong influence for me on the instrument.

10 Rock Albums From The 90s-2000s That Left A Mark On Me

As an artist, musical tastes and interests are constantly changing. I personally like multiple styles of music, although these are 10 of the albums I listened to the most between the ages of 13 and 22 I’d say. Now I want to know, did you also listen to these records or artists? Leave a comment and don’t forget to like and subscribe for more videos mate!

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Illusion Of Existence Gio De Marco

The Illusion Of Existence (Whatever That Is)

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Hello, I’m Gio De Marco, but… What is “to be”?

Who are we really? Are we conscious beings? Are we energy?

Are we a perfect machine, that creates from our birth its own interpretation of “reality”?

Or … might we simply be a beam of light that controls the body we inhabit? An energetic particle that will wander the universe for the rest of eternity? But … what is eternity? Does time really exist, or is it just an illusion?

But … what is the universe? Is it a multidimensional perimeter area, of infinite extension and depth? And is there only one, or will there be different universes, perhaps one within the other, or multiple coexisting?

Many questions, few answers … constant that are maintained throughout my existence. Whatever that is.

I must admit that on several occasions I have felt like sharing the intimacy of the humble creator that lives in me. Although the feeling that this “would make no sense to others” was frequently imposed with greater presence. But none of this really exists for others, but for myself. For trying to manifest my true essence. For trying to create something unique that lasts over time. Whatever that is. I think I do this for myself.
Because it is my way of expressing myself.
Because I enjoy it.
Because since I was a teenager I felt that this was my path.
Because it’s what I was created for.
For celebrating my existence. And honor life.

A few years ago, I convinced myself that I would do the impossible to make the rest of my life revolve around an activity that gives me pleasure and satisfaction from investing time and effort. As a sculptor who dedicates years and years to acquiring unreal sculpture techniques, being able then to reveal shapes and characters hidden in what previously seemed like a simple stone, my passion resonates with the artistic from creativity, perfectionism, detail. Known as artistic production, it is something that has been in my head for more than a decade, although I did not know this profession. I did not know that it was a possible way of life.

My Music Beginning, Trovadicta & Subduction

My bond with music started when I was little …
My mother had studied piano and singing. I grew up listening to music on the radio, Queen, Beatles, Rolling Stones, although it was only at the age of 13 that I felt an urge to learn to play the drums. My musical taste, at that time fed by MTV, began to lean towards sounds and groups like Nirvana, Soundgarden, Red Hot Chili Peppers, Green Day, among others. Around this time, I began to develop a strong interest in skateboarding and the music that accompanied the sport. Quickly and with the progressive penetration of the Internet, I began to meet “new” artists who accompanied the movement, such as NOFX, Bad Religion, Lagwagon, Pennywise, Millencolin, among others. This style fueled my desire to be able to master the drums and play fast rhythms.

Gio De Marco Playing Drums circa 2004
Gio De Marco Playing Drums – circa 2004.

In 2002 I started taking drum lessons with a jazz teacher. Shortly after, with financial help from my grandmother and my uncle, I acquired my first battery, a Mapex Mars, which I couldn’t use much because the neighbors complained. Anyway, I soon put it to use since at the age of 15 I joined my first group, Trovadicta, with origins related to artists such as Silvio Rodriguez, Joan Manuel Serrat and Joaquin Sabina. Although light years away from the musical genre that I wanted to explore, it helped me to practice and progress on the instrument, get together to rehearse, and experiment with live performances.

After several neighborhood recitals, I had my first experience in a recording studio, as a drummer. We recorded a 5-track EP with Trovadicta to show the songs we had. Unfortunately I don’t keep those songs …

As I went through my adolescence learning more and more about music, I began to develop a skill that would be fundamental: to be self-taught and multifaceted. At 15, two years after starting to study drums, I started my guitar journey. Borrowing an old, dilapidated classical guitar that belonged to my mother.

Gio De Marco Mixing - circa 2005
Gio De Marco Mixing – circa 2005.

A string was missing, some pegs were not working. But it was not an impediment to start building a base. I started by playing one string at a time and understanding the intervals between strings and frets, and soon I understood that there were great similarities to bass. In this way, by 2005 and at the age of 16, I had already performed at multiple concerts and recorded a demo as a drummer, and now I was taking my first steps playing bass in Que Nos Queda, a rock and roll band.
Meanwhile I kept learning guitar and started writing my first songs. In 2006 I bought my first electric guitar, a luthier stratocaster. By then I had composed several songs and decided to start my own punk rock band. When I was 16 years old, I founded Subductor, my first project with friends, where I was the composer, guitarist and singer. Of course … that band SUCKED because of my little experience, but it was already a hint of things to come.

Have Fun (2007-2008)

Gio De Marco Live with Have Fun Summer Tour 2008
Gio De Marco Live with Have Fun – Summer Tour 2008.

By 2007 I was already taking my first steps in recording demos and home demos. It featured a 15w Peavey Rage 158 amplifier that belonged to my uncle and a HORRIBLE computer mic. Those recordings did suck, but they helped me to continue building my first songs.

Gio De Marco Live HF 2007
Gio De Marco Live with HF – 2007.

I used FLStudio to create digital drum beats. Meanwhile, he continued to play bass with QNQ and Suboduction underwent changes of members and name. New musicians that I met on the internet, Ashi on drums and Maly on bass, would now shape “Have Fun”, an “evolved” version of Subduction, which was still STINKING xD. With HF we played many more times, we toured the coast, and we had the experience of recording a demo (my first guitars and vocals), with which I was able to continue meeting people, other musicians and gaining experience. He was composing more and more music and lyrics, while studying a tertiary degree in Web Design and Multimedia.

Forever (2008-2010)

In 2008, after two intense years of Have Fun, I embarked on a new musical project, a little more melodic and ambitious. Through the contacts that I met thanks to Have Fun, Forever was born.

Forever Band
Forever – 2009.

At this time skateboarding was still very present, and I already had more idea of how to assemble demo songs at home, although I had few tools. I remember connecting the guitar directly to the Microphone minijack, and using the guitar rig to texture the sound, there weren’t many resources and I didn’t have much idea but at least I tried.

By 2010, after some shows and positive feedback from the public, Forever faded due to various circumstances in each one’s life, but the friendship lasted.

Artistic Energy Records Birth (2015)

After almost 5 years of uninterrupted focus on music, I was immersed in the reality of having a full-time job, and being “a prisoner of the system” which made me lose interest in music. After a few years of professional career in the IT industry, in 2015 I traveled to New York and equipped myself with some necessary tools to strongly resume my musical activities and set up my own home studio. This is when I decided that I wanted to get fully involved as a musician, music producer, songwriter, session player, whatever. I spent a few months studying and learning more about the world of mixing and recording, and with my self-taught ability I recorded my first complete song (all instruments and voices) that I mixed in a small room at the time my house in Belgrano, Buenos Aires. Aires. A rock version of the song “Chandelier” by Sia.

Indica Stout (2016-Present)

Satisfied but not satisfied with the results, I used remnants of songs that had never been published in Have Fun and Forever and transformed them into improved material for a new project, my latest musical project: Indica Stout. It was also the moment when I decided to create my own record label, Artistic Energy Records. Aimed at helping develop artists with little knowledge and resources, what I would have wanted to have when that was me.

Metamorfosis (2018)

Metamorfosis by Gio De Marco
Metamorfosis, rock concept album by Gio De Marco.


After 3 years of work, in December 2018 I finished my first solo album, “Metamorphosis”, a conceptual work for which I composed and performed all the instruments and voices, as well as produced and mixed the entire album in my humble home studio. It was a lot of work that I describe in detail in my next video.
Right now I am working on “Cyan” my next solo album and my second to be released through Artistic Energy Records.
Since then, I have been working every day to improve my skills and be able to earn a living as a music producer, mixing and / or recording engineer, guitarist, bassist, drummer, among other activities. It is undoubtedly a long road and it is still developing.

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Introducing Artistic Energy Records: my music production project

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Hi, I’m Gio De Marco, a multi-instrumentalist songwriter, self-taught recording and mixing engineer.

Nowadays you don’t need a professional studio such as Abbey Road to record incredible music. It is possible to create high quality mixes, with lots of clarity and depth, while maintaining its dynamic range right from your home or bedroom studio.
But possible doesn’t mean you automatically know how to do it.

That’s why in 2015 I founded my own independent record producer, Artistic Energy Records, created for helping musicians and artists develop their art by providing them with tools and resources to do so. Back when I started -18 years ago- I didn’t have a lot of resources, equipment or knowledge, and had to go through this myself, so I’m hoping some of the things I’ve learned during these years might be useful to fellow creators.

Artistic Energy Records, independent record producer - Gio De Marco
Artistic Energy Records, music production provided by indie producer Gio De Marco.

As an independent musician, I’m constantly challenging myself, experimenting, defying the limits of the unknown, and doing things I may not have a lot of experience doing. With this recipe though, I’ve self-taught myself 100% to compose and play instruments such as piano, guitar, bass guitar, ukulele… as well as the foundation of recording, mixing, music production, among others. Nobody told me about it, I figured it out myself. By lots of trial and error, failing and learning. Using my ears, putting my hands to work. Good news… If I could do it, you can do it!

Artistic Energy Records’ debut release was my first solo album, “Metamorfosis” a progressive-rock concept album in 2018, which was done completely by me (Gio De Marco) almost completely in-the-box on my humble home studio. My next album, “Cyan” is actually on the process and will be the next label release.

Through these videos, I’ll try to share my own experience and the things I’ve learned so far in this amazing trip of creating and producing music on a budget and with not a lot of resources, such as bedroom studios, home studios, or on-the-go setups.

Subscribe to Artistic Energy Records channel to dig in the behind-the-scenes of my work in the studio, recording and mixing sessions, music production tips and audio tutorials for indie musicians, guitarists, songwriters or composers who might be interested in recording their own music.

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